Sunday, July 6, 2014

Catch Me (An Introduction)

-I-
“Would you catch me?” She asked. The wind sucked past her, gnawing at her skin with cold gums.
“Hmm?” Was the only response.
“If I fell, would you catch me?”
He shrugged, and came up beside her, until his toes were on the very edge of the building. She wondered what made him get so close; how he seemed so unafraid. Glass crunched under his shoes; she couldn’t tell how it had gotten up there.
The sidewalk looked up at them both from seven stories, with a very strange sort of grin. The manhole covers were eyes; the open storm-drain was a mouth, with a psychotic grin. Small clusters of things living and things once alive trickled along, spent or spending. Debris tumbled out from down steep alleys, and crawled into the gutters with leaves a decade old. People tumbled out from long tramcars and collected in the corners, with the leaves.
“I’m not sure,” he said finally. “From this height, I don’t think it would save you. It would probably just kill both of us.”
She nodded, eying the cracks in the sidewalk that scattered like veins, or the gaping mouth of the storm-drain wanting to swallow her. What would it be like to land on the cracks? Would she make more? Or was the cement too sturdy, too weathered, to notice the last sigh of one more person? Or what if she landed in the drain itself? Would she fall straight into the sewers? Into the river? Would she survive?
They did not speak for a while, as they stood at the very edge of the building, knowing full well that if the wind picked up, it would sweep them over the edge. At least, she knew it. She still wondered if maybe, somehow, he didn’t. Maybe that is what enabled him to stand so close. Maybe he was just an idiot.
He took a cigarette out of his pocket and tapped it against his jeans for a few moments before tucking it into the corner of his mouth, and fishing for the lighter in his shirt pocket. “You gonna have to jump?” He asked calmly.
Loosening a tight fist, she glanced at the paper wadded between her fingers. Her sweat had made the ink run, but the words were still there. “Yes,” she said quietly. “But I will wait until you are gone so that they won’t suspect you.”
He nodded. “Handy. Thanks.”
Silence. And then, she inched forward. One of her toes was hanging off the edge. A strong wind would ease her off. A strong wind. That’s all she needed. She should jump, right now. But instead, she took a step back and turned towards him. “Tell me again,” she said.
He eyed her for a few seconds, took the cigarette out of his mouth, and bounced it against his leg again. “Eyes like chocolate. Hair like old coffee. Tall, bony. Pretty, I guess.”
“Do you know me?” She asked.
He shook his head. “Never seen you before in my life.”
She moved a little closer to the edge and threw the paper note out in the wind. It fell before her, but would not land until long after she did. The wind would play with it for a while, first. “Where will you look first?”
He shrugged, and bit the cigarette, working it between his teeth. “Probably the wharf. After that, maybe Pete’s Pit. Those are my first guesses. They like to keep you moving around.”
She nodded yet again. How many times was that? Three? Maybe more. She was nervous. Seven stories seemed high. Higher than anything had ever seemed before. Debris tumbled or walked by, tossed by the wind or by the current of the side-walk. There was nothing in her mouth to swallow, but she tried just the same. “I’ll see you soon,” she said.
He grunted, and then turned and moved towards the fire escape on the far side of the building. “I’ll see you tomorrow, Avi.”
The wind stole away the sound of rust as he made his way to the alleys, and darted quickly away from the hotel. She was alone. She took a deep breath, heart hammering inside her, hands knotting and loosening. She had done this a dozen times; why was she so afraid?
It’s just a fall. You won’t even feel the ground.
She bit her lip and leaned out. Headfirst. She kept her arms pinned to her side as the air rushed past in in a stampede, the sidewalk opening like a mouth to swallow her, closer and closer and closer. Catch me, she begged. But there was nobody there. Just sidewalk veins and sewer mouths and debris in gutters. Catch me. She did not crack the cement when she hit it.



Friday, June 6, 2014

The Child In Uniform (A Short Story)

The Child In Uniform
The ticking of the clock seemed to stabilize the sheer enormity of the silence in the house; to give it order. To Adam, it was like a general, issuing orders. Marching soldiers. Rumbling drums. The whistle of the teapot was a mortar-shell. His thoughts were out of place, here, and he knew that he may as well have been a fish in the desert. He was a soldier. Yet, he very much wanted to not have to think like one any longer.
For a while, he was grateful only to escape the cannonball sounds of horse’s hooves on the street, only to find that they were slowly returning in militant regiments.  
“I remember my husband acting similarly, when he came back from the war against the Gaeling Throne.” Adam looked up from tea that was going cold and hands too rough for his tidy clothes. Lady Rosa was smiling at him, across the table, in that way of hers. The wrinkles beside her eyes were lined up like ranks, all pulling together to make that smile, like sailors trying to drag a ship onto shore.
He had to recycle her statement in his mind to understand it, before he frowned. “I am sorry, My Lady. I must be awful company.”
She shook her head—slightly, for nothing she did was drastic—and she sipped from her teacup again, before setting it down. “The silence of contemplation is to me as sweet a sanctitude as the joy of conversation. And you have much indeed to contemplate, Adam.”
He nodded a bit at this, and took another drink. A smile found him. “Your tea is very good,” he allowed.
She raised her eyebrows. “I had begun to wonder if you were going to drink any of it. I am glad that you decided to indulge me. And yes, I suppose after what you are used to, it would taste splendid. My husband used to tell stories of straining his coffee through old stockings.”
The smile that had found him out made itself fully at home, now. “Nothing quite that dramatic, my lady.”
“No,” she mirrored his expression, but hers was so much brighter, her teeth so much whiter. She had been giving that smile for years, many times a day, practicing and polishing. She was a professional. Adam was still a novice in training. And now, without his beard, his smile felt strange and exposed. Vulnerable. He had not yet gotten used to his own dimples.
“I thought about you often, while I was away,” he said after another few moments of silence. “About the Hall and the lawns. About all the time I spent here. Of course, the house was louder in my daydreams, and the streets quieter. Like it used to be.”
She enjoyed his sentiment immensely, by the glow in her eyes, and she turned, to eye the house. “Yes, it has been quiet. I can no longer afford to keep the house filled. I have thought, of course, about simply having the maids live here, just for the pleasure of their company. But they all have families to return to, of course.”
“I am sorry, My Lady,” he said quietly.
She waved it off. Then, for the briefest moment, a look of annoyed humor entered those marvelously auburn eyes as her thoughts changed. “Of course… once Emilia returns, you will see that not all of the house is doomed to eternal silence. She does more than her fair share to hold the quiet at bay; while, I suppose, I do little for myself.”
“Emilia,” he smiled, nodding fondly. “She must have grown so much since I was here last. She was a child, then.”
“So were you,” Lady Rosa reminded him. “But you were a child in uniform and she was a child still playing with dolls.”
“And here I am still a child in uniform,” he stated. “Does she still play with dolls?”
“Young men, mostly,” Lady Rosa rolled her eyes towards the roof. “And you should see some of the rabble that follow her home, now and then. Gracious, if her father was here...” She chuckled mildly at the thought, before changing the attention. “Can I get you something to eat? My cook, dear sweet Lila, got married two months ago, and while she doesn’t grace us with her presence—for which I am quite sorry—she does keep our larders filled. Scones? Cakes?”
Adam shook his head. “No, thank you, My Lady.”
“Well I shall help myself, then, if you don’t mind,” she added as she rose from the table and swept into the kitchen. That was how she always moved, Adam thought to himself, and how she always had. She didn’t walk; she swept about. She glided in her long skirts, never bobbing. A lady surely never bobbed. Soldiers bobbed. They swayed and swaggered, with loud steps. She was silent. “I find that a small dose of sugar in the afternoon does set me on a better course by evening,” she declared.  
Adam’s smile returned. “I do remember your propensity for chocolate, My Lady.”
“And I remember your propensity for stealing my chocolate,” she replied.
Humor filled his distracted eyes. “I always assumed that you knew I had taken it. I wondered that you never brought it up.”
“You needed it more than I, at the time,” said she. “Joy is deserved of the youth. Although now, mind you,” she narrowed her eyes at him as she worked, “I guard my chocolate with such ferocity that I doubt even your weathered eyes have seen, on the other side of the River.”
His laugh, so unused in its sound, so stiff and inflexible, was still a joy to the rafters and the unlit chandelier. As the lady returned and sat pleasantly across from him, he turned his gaze out to the large front window. White sunlight was waltzing in, spilled from the cracks in the dusted gray clouds, and he could see, from there, the careful white fence and bright green lawns. He had played there, once, before the uniform.
“I thought of Emilia, too, while I was gone,” he said quietly. “I often wondered what kind of woman she would become.”
“I still wonder,” said the lady with dampened skepticism, always tainted with her good nature, as she drank again. She pursed her lips for a few moments before speaking again. “And what about Laurena? Do you think of her, as well?”
Adam’s smile did not disappear; but it seemed uncertain. It was there because he had not taken it down yet, not because he wanted it there. It was a leaning painting. He looked out the window for a while more, then took up his tea again. “Only when I can’t help it.”
“Have you heard anything from her?” Lady Rosa inquired delicately.
He shook his head. “Nothing from her. But I have a friend, in Avor, who said that he saw her with a man, a month ago. She has a child.”
The lady said nothing, but she had that look in her eyes that he recognized, from his childhood; it was the look she gave when she knew that he had stolen the chocolates, but did not say. It was the look that said that she already knew, and was only acting like this was news. It was a look she wore frequently.
“Yes, well,” she finally said, “Avor is a ways off. At least you won’t run into her. I imagine that would be an unpleasantly awkward sort of reunion.” Her eyes were apologetic.
Adam said nothing. Soon, his tea was gone, and the cup was on the table. Small talk held little joy to him, and Lady Rosa had no objections to his quiet demeanor. The clock marched on, in the next room. The smell of tea and scones and upside-down-herbs hanging in the pantry were pleasant to the soldier, and the gentle humming of the woman calming. He could not be angry, here. Of course, there was little to be angry about any more.
In description, the pain he felt was rather like the pain felt by a man who had been stung by a huge hornet. Eventually, the agony went away, but the barb remained, hanging in his arm. Whenever the name of Laurena was mentioned, someone struck it. The barb jerked, and the wound hurt again.
But here, the pain was so subtle, he hardly noticed. Not in Elbraum House.
Somewhere, in the rear corridor at the end of the kitchen, a door slammed, as though some hurricane wind was set to rip it from its hinges. Lady Rosa did not turn to face it; instead, she met Adam’s eyes and smiled tiredly, managing the words, “Brace yourself.”
Emilia stormed into the house, her muddy boots stomping the innocent tiles to death. Her face was furiously red when she came around the corner and into the kitchen, hair plastered to her face from rain or tears, either way messier than it was supposed to be and had been that morning. There was mud on the hem of her bright dress. “Mother,” she declared in a heavy, decisive tone, much too loud for the old house, and even the commanding clock to stand up to. “I have decided.”
“Decided what, Dear?” Replied the mother, without looking up. 
“I have grown entirely exhausted of wretched human emotions. In fact, I have come to believe them to be entirely worthless and troublesome. They only on very rare occasions bring about anything worth bringing about, and most frequently they do the opposite. Furthermore, I do believe them to be constricting, disabling and counterproductive. In short, they are of no use to me any longer, as I refuse to be exasperated, bullied, or made a fool of by them ever again. Indeed, emotions are the foulest, vilest, most repulsive and devilest of all devils, and I shall have no part of them.” 
As though this was of no surprise whatsoever, the mother spoke. “You’ve had your heart broken by that boy again, haven’t you?”
Emilia’s anger was gone, and instantly replaced by a display of drama so intense that Adam was sure only a talented few could muster at will, as she threw herself into a chair and draped herself over the table like a limp towel.
“Thomas, wasn’t it?” Lady Rosa asked with skewed eyebrows.
“Jacque,” she sobbed. “Oh, mother, why does it hurt? Oh please, just let me die.” Her whimpers continued as she buried her face in her arms. Adam, completely overlooked, stayed where he was, as though he was one of the oversized paintings hung in the gallery.
The mother patted her on the back of the head, speaking in the same tone as always. “Alright, I shall. But first some nice tea, and you can get cleaned up, and I can introduce you to an old friend who is visiting from the east. And then, if you still want to die, you may have my blessing.” 
“Oh thank you mother,” she beamed. “You truly are a saint.” 
“Yes dear,” Rosa said calmly. And then, without hesitating, she gestured across the table. “You remember Adam, surely?” She asked.
Emilia looked up. For a moment, in her tear-glowing eyes, there was no sign of recognition. And then, after several long blinks, sheer terror filled them. She looked from Adam’s hard eyebrows to his soft smile, to his uniform and the medals on his chest, the sword ceremoniously included at his side.
She stood up so abruptly that her chair nearly fell over behind her. “Mother!” She squealed. “Why didn’t you tell me?” She seemed to have completely forgotten any prior offense that had ever been done her, in light of this new betrayal, as she darted out of the room as quickly as she could. “Why didn’t you tell me?” She repeated. “I am not ready for company! Have you seen what I’m wearing?”
Lady Rosa replied in a sigh that she pointed down the hall. “I told you that Adam was coming this morning.”
“But not that Adam!” She replied from the top of a stairs. “And not in uniform!”
Adam’s smile returned, real and thorough. Lady Rosa was smiling back at him. “You may find that she has not much changed,” she said.
Adam shook his head. “Nothing changes here,” he said, which could just as well have been replaced by “I would like to stay here.” But he didn’t say that. The sound of marching died, and was replaced by the sound of a clock. There were no more mortars whistling on the oven or cannonballs trotting by outside. He was happy, and as close to home as he had been in eight years. He forgot the River, and the terrible Shadow of that Wall.
There was joy in the silence. Contentedness in the small packages of breaths.
He was a child in uniform. And this was the place he had stolen chocolate from. There were memories, so long stuffed into his pockets, which he could polish to brightness again. 



Tuesday, May 27, 2014

All Men Wear Chains (A Story of the Chain-Breaker)

All Men Wear Chains 
[Imagine] You are standing in a single island of light, surrounded on all sides by darkness, thick and clawing. A puddle of light. And there are chains dripping out of your chest. They hang off your arms, thick as tree-limbs. They bind your legs and cling heavy to your shoulders, all trailing off into the endless, devouring gloom. 
All men wear chains. 
Some we are born with. Chains, heaved out of lungs. Out of hearts. Out of eyes and ears and mouths. We are born strapped down. And as we live, we bind ourselves to more. We chain ourselves to people, things, ideas. To family, to friends, to loved ones, to possessions. And we chain ourselves to the darkness. Our tendrils trail away, and our pillar of light shrinks. 
You are in the spotlight. Your audience wants to eat you. You had better perform, or you'll be dragged off. 
All men wear chains. And they are heavy. 
They drag and pull and tug and tear, fused to our flesh and latched to our bones. Some chains burn, but we can no more remove them than we can remove our own limbs. They become part of us, with their rust and their razors and iron, their freezing bite inside us. Their infectious metals become one with our flesh. We wear our chains and we love them and we show them off. We chain ourselves to statues, to the unreal.
They kill us. They drag us away. And we let them. 
All men wear chains. From first breath to last, we are chained to Death. He holds the other end, somewhere out there, with a thousand distractions beside. Tugging demons. He wears a mask and masquerades as life. 
All men wear chains. And none can tear them. 
Except for one. 
The chains grow heavier; there are so many, so thick, strangling and poisonous. They steal sleep, they steal innocence and beauty. They leave scars. The drain you, even as they promise to fill you up.     
Then, though the weight of them shows no signs of diminishing, the pool widens. The light spreads. A new spotlight. A man draws near, huge as you grow small, as mighty as you grow weak. His muscles bulge, and they are strewn with scars not from chains, but from whips. His hands are decorated with holes, but they are strong. In them, he holds an axe. A reaper's blade. There he stands, glowing and magnificent. 
Voice cracking, you peer through chains to eye him. “Who are you?”
“I am Conqueror,” he says. “Star-speaker. Death-Tamer. Chain-Breaker. The darkness will come, it will drag you off, and feast on you. But I have come to free you.” 
And he lifts the axe, he who hewed death’s ankles and noosed her neck, he who climbed out of the pit. The axe falls and chains burst apart, they scatter and scream and you scream with them. 
Pain. Parts of you are being removed, torn free. Your bones break under the weight of his tugging arms, your flesh tears and tendons pop. The agony of being dismantled. Your foundations are being uprooted by his plow; your trunks leveled by his blade, until there is nothing for you to hold yourself up with. 
One moment, you scream for him to stop, to leave you be, to give you back everything you had. But he will not. He will not surrender you up. The next moment, your pleas change, and you shower him with tears and thanks and praise. Hatred, still rooted in your bones, fights back. But he fights harder. His scalpel is inescapable, and no part of those rusted cancers are left. He cuts them out, and he flings them away. 
The axe sweeps and the coils splinter, until you are free to stand and he lifts you, your arms light and legs unbound. Fissures boil on your flesh, gaping wounds and staring bones. You are free. But next to the glorious Chain-Breaker, you feel unworthy. Naked. 
There is one chain left. It hangs out of your chest, front and back, running through your heart. “It is the chain of life and death,” says the Chain-Breaker. “And it has been infected. It will be painful.” 
You want to protest, but can't. You don't. Maybe you want to. Either way, he reaches out his hand and dips his fingers into your flesh. They burn and tear and the pain makes you scream, scream for him to stop, to leave. But then, the chain pulls free, snaked through you, and your heart is tugged out with it. You are hollow. You are a skeleton. A husk. 
And then, the chain breaker shows you the heart, still growing around its chain, and it seems rotten, blackened and infected, polluted and dead. “You must be regrown,” he says. He reaches his hands into the hole of your chest, and in it, you feel fire growing. New flesh is squirming, a new heart. A stronger heart. Unpoisoned. Unmolested. Unbound. It swells in your chest and fills you up anew. 
The Star-Speaker waves his hands over your wounds, spills his precious, shining tears onto the gaping scabs and horrible gashes. He mends your bones, and supports your wavering spirit. The flesh returns. You grow strong, and lifted by his mighty hands, you can stand. No longer do you look like you once did, when you were prisoner to the parasite darkness. Now, you look like some pale copy of the Chain-Breaker. As though, someday, you could become like him.
“Here,” says the Chain-Breaker. “I have made you a new chain. A new anchor. Bind yourself with it. Cling to it. If you do not, the darkness shall return.” 
The chain he offers you is bright and made out of shining silver, untarnished, fresh-forged by some heavenly hammer. The Star-Breather's hammer. His anchor is huge; it stands upon a hill, thrust through the heart of death itself, and there he binds you, as you bind yourself. “The darkness shall be burned away, soon,” says the man. “And all those who are in it shall be swallowed. But not here. I will keep you in the light. I will keep you strong. I shall hold you here, and I shall bind you to my anchor.” 
And there are no other words to say. None that seem adequate, none appropriate. Only tears, hot and new on your cheeks, washing the dark rubble that remains from your soul. “Thank you,” you cry.
He leaves his axe beside you, because the shadows will draw near again. The chains will reach out, to claim their old victim. “But they have no hold,” says he. “You are new. You do not belong to them any more. Peel them off. And if they seek to subdue you, I will return. For always, I will be with you. You are mine.” 
And into the darkness he returns. There are others who must be freed. 
Because all men wear chains. And none can tear themselves free.
Except one. One man who was born with chains. One man who tore them out, pried them from his bones and dug them from his chest. One man who scratched and tore and roared and could not be overpowered. One man who took the grave in his hands and broke its back. 
The willing amputee. The willing dead. 
One man, one God. Star-Breather. Death-Tamer. Slayer of dragons, freer of souls. He who breaks chains. 
And who gives eternal ones. 
He who keeps us in the light. 


Thursday, May 8, 2014

Numino Street (A Prologue to a Book I Ought Not Be Working On)

Prologue—Numino Street  
The City of New South Satar was the pride of the Empire. The Crown of the Expansion. Emperor Arulo III himself had taken to calling it his “Favorite Son,” much to the chagrin of his own children. Seated amidst the great flatlands where the sands became grasses, and the great forehead of land creased into anxious hills, enthroned upon the ruin of what was once an old northern outpost, the city would be the greatest ever built by men, said to rival even the Golden City of the Elves (though those who said it had never seen the city in question with their own eyes).
Some said that it would be even greater than the City of Kings itself, with a temple even to outshine Arulo’s palace. But when they did, they were sure to say it in whispers. It was widely known that Sursaku, High Priest to the Order of Unashka, was personally overseeing the construction of the temple, and beside him was the Emperor’s most powerful General, Coras Hadun, both reigning with iron fists. Thousands of slaves had been dragged from the battlefronts in the north and the east and lashed to chains in the quarries. They swung picks; they hauled stones; they died; they were replaced. In the loudest voices, on every front, it was proclaimed that this city would be the greatest ever built.
Already, towers were rising from the darkness. Streets of chipped stones had been ground to dust beneath bare feet. Walls, fifty paces deep, were heaving themselves towards the stars, dragged upward by the weight of the corpses who had died to make them.
The bodies had been laid into the walls. Their souls had been poured into the foundations. “Lives to strengthen the mortar; chains fashioned from the unblessed spirits to keep our enemies away,” So had said the priests, and nobody argued with the priests. In a year, more had been accomplished than anyone had expected.
Overhead, the moon whirring in endless battery, the spires ascended, crawling like some great titans out of the very earth, dark and lumbering, black against the stars. The streets rolled out like carpets. Carpets with bodies swept away beneath them. The seething winds broke against the walls, and left the streets breezeless. Barren. Scented with sweat and dust, painted in pale moonlight.
A single road, cobbled and winding narrowly through the buildings, had been named Numino Street. As the pendulum of time spun on, no one knew who Numino was, or why the street was named for him, and nobody really seemed to care, anymore. Because the street had another name, now: Kunroc. Demon Street.
There were two kinds of people who ventured to cross Demon-Street, at night:
Those who didn’t believe in demons.
Those who were not afraid of them.
The streets were almost always empty. But those who did go there—and those who frequented them, for whatever reason—could, and had been known to tell what few other men knew, when the night grew thick and the fires burned hot, in taverns or the still watch hours:
High up on that cobbled hill, there was a tree. Not like those little garden shrubs and bushes and sprouts of ivy on the rooftops, wrapped and combed and trimmed. Not potted. This was a tree.
Roots dug deeper into the ground than even the founders of the city had dreamed of clawing, deeper than the foundations and the secret passages of Sursaku.
Fingers reached higher, blotting and gouging at the sky and its twinkling eyes, reaching for the light. It had stood for two hundred years, nearly (or the stories of it had). Swelling and erupting with power, twisting itself higher, sinews straining and flexing to grow even more. And the stories agree. The tree breathed.
They could feel the tautening and loosening of breath, captured and escaping like a tide. A breath that swept through from no direction and all of them, simply there and gone, scattering hair and thoughts and words and stealing them away them.
The taste of the wind was the taste of agony. Anguish was its language and anger and sorrow were the words it spoke, as the tree grew. But no one could hear those words. Indeed, though the roots spread through streets and crawled up walls, no one could see the tree. Nor could they hear the creak of the wind through its branches. But some, when the moon hung right, as it had on that night, centuries ago, could feel it.
And the feeling resonated with a toll like madness and a torrent of tears. Those who stood on the right stones, and breathed in the wind as it splashed through the buildings, could sense its stab in their bones and roar in their stomach. A pain, rising in the chest, the pain of a broken heart and crumpled soul. It was a knife in the wind.
When all was aligned, the stars and the moon and the wind, some could hear the words in the air. The voice of a girl. An antiquated memory, a ghostly haunting, never allowed to sleep in the mortar, like so many others had.
The stones could not sense her voice; but the little scrubs of grass tingled, like the hair on the back of the neck. The stars themselves seemed to lean in to hear. Two speakers, two voices, but one set of footsteps. Some had stood and listened to those voices for hours, from the set to the rising of the sun, and hear many words stabbed at the air.
No one knew who the voices belonged to. No names, no histories. Simply Kunroc. This was the haunting of demon street. And the gravestone to this buried suffering was that great, monstrous tree, that tree that, when the moon was right, could drive men mad.
It stood like a warning, yet it taunted. It lured. It said come.
You who think you know fear, come touch my trunk. You who think you know pain. You who think you have acquainted sorrow. You who are not afraid of demons. Touch my trunk and see. 
And none came.
None save one.